If Books Could Kill had a brutal episode on this chucklehead: https://podtail.com/en/podcast/if-books-could-kill/rich-dad-poor-dad/
All he knows how to do is pedal-to-the-metal on scams. It’ll catch up with him eventually, but too late for all the people he’s hurt along the way.
Look, I’m just setting my rent according to an analysis of the current market rate for similar properties.
Yes, that analysis is provided by the same company that does estimates for the other properties.
No, I’ve never heard of “price fixing”. Look, your avocado toast is super expensive and it’s cuz the government gave you $600 three years ago so PAY MY MORTGAGE ALREADY YOU EASILY REPLACEABLE COW IN A PEN.
If you’re gonna print a weapon, a balisong is the right choice. You were gonna hurt yourself with it anyway!
It’s great because it also implies that you have the capability of wisdom, but your impatience gets in the way.
I'm dumbfounded that any Lemmy user supports OpenAI in this.
We're mostly refugees from Reddit, right?
Reddit invited us to make stuff and share it with our peers, and that was great. Some posts were just links to the content's real home: Youtube, a random Wordpress blog, a Github project, or whatever. The post text, the comments, and the replies only lived on Reddit. That wasn't a huge problem, because that's the part that was specific to Reddit. And besides, there were plenty of third-party apps to interact with those bits of content however you wanted to.
But as Reddit started to dominate Google search results, it displaced results that might have linked to the "real home" of that content. And Reddit realized a tremendous opportunity: They now had a chokehold on not just user comments and text posts, but anything that people dare to promote online.
At the same time, Reddit slowly moved from a place where something may get posted by the author of the original thing to a place where you'll only see the post if it came from a high-karma user or bot. Mutated or distorted copies of the original instance, reformated to cut through the noise and gain the favor of the algorithm. Re-posts of re-posts, with no reference back to the original, divorced of whatever context or commentary the original creator may have provided. No way for the audience to respond to the author in any meaningful way and start a dialogue.
This is a miniature preview of the future brought to you by LLM vendors. A monetized portal to a dead internet. A one-way street. An incestuous ouroborous of re-posts of re-posts. Automated remixes of automated remixes.
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There are genuine problems with copyright law. Don't get me wrong. Perhaps the most glaring problem is the fact that many prominent creators don't even own the copyright to the stuff they make. It was invented to protect creators, but in practice this "protection" gets assigned to a publisher immediately after the protected work comes into being.
And then that copyright -- the very same thing that was intended to protect creators -- is used as a weapon against the creator and against their audience. Publishers insert a copyright chokepoint in-between the two, and they squeeze as hard as they desire, wringing it of every drop of profit, keeping creators and audiences far away from each other. Creators can't speak out of turn. Fans can't remix their favorite content and share it back to the community.
This is a dysfunctional system. Audiences are denied the ability to access information or participate in culture if they can't pay for admission. Creators are underpaid, and their creative ambitions are redirected to what's popular. We end up with an auto-tuned culture -- insular, uncritical, and predictable. Creativity reduced to a product.
But.
If the problem is that copyright law has severed the connection between creator and audience in order to set up a toll booth along the way, then we won't solve it by giving OpenAI a free pass to do the exact same thing at massive scale.