h3mlocke

joined 1 year ago
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[–] h3mlocke@lemm.ee 3 points 10 hours ago* (last edited 10 hours ago)

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Puzzle #400
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[–] h3mlocke@lemm.ee 2 points 2 days ago

HMMMMMMMM, I wonder why? 🤔

[–] h3mlocke@lemm.ee 1 points 2 days ago
[–] h3mlocke@lemm.ee 10 points 2 days ago

"Anatomical horse legs"

[–] h3mlocke@lemm.ee 8 points 2 days ago
[–] h3mlocke@lemm.ee 2 points 4 days ago

Who tf is George Clooney?

[–] h3mlocke@lemm.ee -2 points 6 days ago
[–] h3mlocke@lemm.ee 1 points 6 days ago

Jim is literally hitler.

[–] h3mlocke@lemm.ee 2 points 1 week ago

Lmfao u married a snowflake

[–] h3mlocke@lemm.ee 13 points 1 week ago

Those godamn nazis are trying to make me follow the speed limit? OK bud.

 

cross-posted from: https://lemm.ee/post/2818869

I found an interesting book, Zen's Chinese Heritage, The Masters and their Teachings by Andy Ferguson. It goes through the 1st twenty-five generations of Chan masters, beginning with Bodhidharma and ending with Foyan.

The main source material for this book is the Wudeng Huiyuan (Compendium of Five Lamps), dating from the mid-1200s. This excerpt is about Shenhui, the student of Huineng, also the one believed to have written the Platform Sutra.

HEZE SHENHUI (670–762) was an eminent disciple of the Sixth Ancestor. He strongly supported and promoted Huineng’s place in Chinese Zen history. Shenhui championed the Southern school of Zen, and vociferously attacked what became widely known as the Northern school, the school associated with Yuquan Shenxiu.

Shenhui put forward two reasons for his attack on the Northern school. The first was, “The (ancestral) succession is spurious.” Attacking Shenxiu’s legitimacy as the Dharma heir of Hongren was an extension of Shenhui’s proposition that that honor belonged exclusively to Huineng. Obviously, the argument was self-serving as well, since Shenhui could thus make a claim to be the true Seventh Ancestor of the Bodhidharma line.

The second reason for attacking Shenxiu was, “(His) Dharma gate is gradual.” By this, Shenhui meant that the various “gradual” spiritual practices employed by Shenxiu, as well as other disciples of Hongren, were fundamentally at odds with what Shenhui regarded as the genuine Zen of his teacher, Huineng.

Shenhui’s life and teaching are at the center of the most hotly debated questions of Zen history and thought. He is a controversial figure who set a standard of teaching that emphasized sudden, unmediated enlightenment. This characteristic of Chinese Zen distinguishes it from other Buddhist schools. The idea of nonmediated, sudden enlightenment clearly took solid root as a centerpiece of Chinese Zen during Shenhui’s era and suffused the teachings of subsequent generations of the Southern school.

Shenhui’s Zen, expounded in the name of the Sixth Ancestor, castigated the idea of “gradual” enlightenment achieved through meditation and religious practices that were meant to realize and maintain “pure original mind.” Shenhui’s proposition, in effect, attacked not only the Northern school, but many of the practices that were part and parcel of Daoxin and Hongren’s East Mountain Zen tradition as well, including their basic outlook on meditation practice.

Scholars have documented that Daoxin, Hongren, and Hongren’s disciples variously used “gradualist” practices, practices that set religious life distinctly apart from secular life, in their practice centers. One example was Hongren’s disciple Zishou Zhishen, the founder of the Sichuan Zen school, who is believed to have heavily emphasized chanting Buddha’s name over all other practices.

Yet Shenhui has been shown to have tampered with, not to say subverted, the historical facts surrounding Huineng’s life to gain ascendancy for his “sudden” Zen ideology. Shenhui’s account of Huineng’s life contains self-serving inconsistencies. Moreover, his writings about earlier Zen development, particularly the succession of Zen ancestors beginning with Shakyamuni Buddha, contain blatant errors and contradictions.

The “Northern” school was the name applied by Shenhui to the most politically dominant and powerful stream of Zen of his era. This stream was a continuation of the East Mountain school of Hongren, as taught by his disciple Shenxiu, and by Shenxiu’s own many disciples who were spread through northern areas of the country. Shenxiu obtained unprecedented influence at the imperial court during the late seventh and early eighth centuries. Shenxiu’s disciples Puji and Yifu then carried on this influence until events overcame the school around the year 755.

Shenhui’s main attack on the Northern school occurred at a conference he staged at Great Cloud Temple in Huatai in the year 734. In that meeting, Shenhui put forth the “Exposition on Determining Right and Wrong [with respect to] Bodhidharma’s Southern school.” The conference staged a debate between Shenhui and a certain “Dharma master Chongyuan,” who defended the Northern school. Although the influence of this conference on the imperial court and public opinion is disputed, the meeting clearly laid out lines of battle between the doctrines of the southern and northern currents of Zen.

After the conference at Huatai, Shenhui proceeded to live in the northern capital city of Luoyang, where he directly confronted the Northern school by inciting opinion in public gatherings. Eventually, Shenhui was banned from Luoyang as a rabble-rouser. During the period of his banishment, historical events transpired that helped his cause. The An Lushan uprising, a catastrophically destructive rebellion against the Tang dynasty, led to the destruction of the twin capital cities of Luoyang and Changan. The areas suffering devastation were important regions of Northern school predominance. This direct destruction of the Northern school led to a vacuum of court influence that Shenhui’s followers managed to fill. Thus, the Southern school gained social and political ascendancy not simply due to a preferred religious doctrine, but as the unforeseen result of a civil war that wracked northern China during that era.

Shenhui thus founded what became known as the Heze (in Japanese, Kataku) school of Zen. The branch largely died out during the early ninth century and is not remembered as a major school. Nevertheless, the doctrine of sudden enlightenment remained a central characteristic that defined the teaching styles and cultural flavor of later Chinese Zen. In the next Zen generation, Mazu Daoyi’s Hongzhou school vigorously adopted a teaching style that expressed the “sudden” Zen outlook. That school displaced Heze’s school in influence during the ninth century, but the doctrine espoused by Shenhui had lasting influence on all subsequent generations of Zen teachers.

I've read elsewhere about more modern scholarship casting some doubt on Huineng, and the division of Northern/Southern schools. I think John McRae has written about it, but I'm going to have to search for some of his articles.

 

cross-posted from: https://lemm.ee/post/2534576

Instant Zen #49: Sitting Meditation

Foyan, Cleary translation

The light of mind is reflected in emptiness;

its substance is void of relative or absolute.

Golden waves all around,

Zen is constant, in action or stillness.

Thoughts arise, thoughts disappear;

don't try to shut them off.

Let them flow spontaneously—

what has ever arisen and vanished?

When arising and vanishing quiet down,

there appears the great Zen master;

sitting, reclining, walking around,

there's never an interruption.

When meditating, why not sit?

When sitting, why not meditate?

Only when you have understood this way.

is it called sitting meditation.

Who is it that sits? What is meditation?

To try to seat it

is using Buddha to look for Buddha.

Buddha need not be sought,

seeking takes you further away.

In sitting, you do not look at yourself;

meditation is not an external art.

At first, the mind is noisy and unruly;

there is still no choice but to shift it back.

That is why there are many methods

to teach it quiet observation.

When you sit up and gather your spirit,

at first it scatters helter-skelter;

over a period of time, eventually it calms down,

opening and freeing the six senses.

When the six senses rest a bit,

discrimination occurs therein.

As soon as discrimination occurs,

it seems to produce arising and vanishing.

The transformations of arising and vanishing

come from manifestations of one's own mind.

Put your own mind to use to look back once:

once you've returned, no need to do it again;

you wear a halo of light on your head.

The spiritual flames leap and shine,

unobstructed in any state of mind,

all-inclusive, all-pervasive;

birth and death forever cease.

A single grain of restorative elixir

turns gold into liquid;

acquired pollution of body and mind

have no way to get through.

Confusion and enlightenment are temporarily explained;

stop discussing opposition and accord.

When I think carefully of olden days

when I sat coolly seeking,

though it's nothing different,

it was quite a mess.

You can turn from ordinary mortal to sage

in an instant, but no one believes.

All over the earth is unclarity;

best be very careful.

If it happens you do not know,

then sit up straight and think;

one day you'll bump into it.

This I humbly hope.

 

cross-posted from: https://lemm.ee/post/2534576

Instant Zen #49: Sitting Meditation

Foyan, Cleary translation

The light of mind is reflected in emptiness;

its substance is void of relative or absolute.

Golden waves all around,

Zen is constant, in action or stillness.

Thoughts arise, thoughts disappear;

don't try to shut them off.

Let them flow spontaneously—

what has ever arisen and vanished?

When arising and vanishing quiet down,

there appears the great Zen master;

sitting, reclining, walking around,

there's never an interruption.

When meditating, why not sit?

When sitting, why not meditate?

Only when you have understood this way.

is it called sitting meditation.

Who is it that sits? What is meditation?

To try to seat it

is using Buddha to look for Buddha.

Buddha need not be sought,

seeking takes you further away.

In sitting, you do not look at yourself;

meditation is not an external art.

At first, the mind is noisy and unruly;

there is still no choice but to shift it back.

That is why there are many methods

to teach it quiet observation.

When you sit up and gather your spirit,

at first it scatters helter-skelter;

over a period of time, eventually it calms down,

opening and freeing the six senses.

When the six senses rest a bit,

discrimination occurs therein.

As soon as discrimination occurs,

it seems to produce arising and vanishing.

The transformations of arising and vanishing

come from manifestations of one's own mind.

Put your own mind to use to look back once:

once you've returned, no need to do it again;

you wear a halo of light on your head.

The spiritual flames leap and shine,

unobstructed in any state of mind,

all-inclusive, all-pervasive;

birth and death forever cease.

A single grain of restorative elixir

turns gold into liquid;

acquired pollution of body and mind

have no way to get through.

Confusion and enlightenment are temporarily explained;

stop discussing opposition and accord.

When I think carefully of olden days

when I sat coolly seeking,

though it's nothing different,

it was quite a mess.

You can turn from ordinary mortal to sage

in an instant, but no one believes.

All over the earth is unclarity;

best be very careful.

If it happens you do not know,

then sit up straight and think;

one day you'll bump into it.

This I humbly hope.

 

cross-posted from: https://lemm.ee/post/2818869

I found an interesting book, Zen's Chinese Heritage, The Masters and their Teachings by Andy Ferguson. It goes through the 1st twenty-five generations of Chan masters, beginning with Bodhidharma and ending with Foyan.

The main source material for this book is the Wudeng Huiyuan (Compendium of Five Lamps), dating from the mid-1200s. This excerpt is about Shenhui, the student of Huineng, also the one believed to have written the Platform Sutra.

HEZE SHENHUI (670–762) was an eminent disciple of the Sixth Ancestor. He strongly supported and promoted Huineng’s place in Chinese Zen history. Shenhui championed the Southern school of Zen, and vociferously attacked what became widely known as the Northern school, the school associated with Yuquan Shenxiu.

Shenhui put forward two reasons for his attack on the Northern school. The first was, “The (ancestral) succession is spurious.” Attacking Shenxiu’s legitimacy as the Dharma heir of Hongren was an extension of Shenhui’s proposition that that honor belonged exclusively to Huineng. Obviously, the argument was self-serving as well, since Shenhui could thus make a claim to be the true Seventh Ancestor of the Bodhidharma line.

The second reason for attacking Shenxiu was, “(His) Dharma gate is gradual.” By this, Shenhui meant that the various “gradual” spiritual practices employed by Shenxiu, as well as other disciples of Hongren, were fundamentally at odds with what Shenhui regarded as the genuine Zen of his teacher, Huineng.

Shenhui’s life and teaching are at the center of the most hotly debated questions of Zen history and thought. He is a controversial figure who set a standard of teaching that emphasized sudden, unmediated enlightenment. This characteristic of Chinese Zen distinguishes it from other Buddhist schools. The idea of nonmediated, sudden enlightenment clearly took solid root as a centerpiece of Chinese Zen during Shenhui’s era and suffused the teachings of subsequent generations of the Southern school.

Shenhui’s Zen, expounded in the name of the Sixth Ancestor, castigated the idea of “gradual” enlightenment achieved through meditation and religious practices that were meant to realize and maintain “pure original mind.” Shenhui’s proposition, in effect, attacked not only the Northern school, but many of the practices that were part and parcel of Daoxin and Hongren’s East Mountain Zen tradition as well, including their basic outlook on meditation practice.

Scholars have documented that Daoxin, Hongren, and Hongren’s disciples variously used “gradualist” practices, practices that set religious life distinctly apart from secular life, in their practice centers. One example was Hongren’s disciple Zishou Zhishen, the founder of the Sichuan Zen school, who is believed to have heavily emphasized chanting Buddha’s name over all other practices.

Yet Shenhui has been shown to have tampered with, not to say subverted, the historical facts surrounding Huineng’s life to gain ascendancy for his “sudden” Zen ideology. Shenhui’s account of Huineng’s life contains self-serving inconsistencies. Moreover, his writings about earlier Zen development, particularly the succession of Zen ancestors beginning with Shakyamuni Buddha, contain blatant errors and contradictions.

The “Northern” school was the name applied by Shenhui to the most politically dominant and powerful stream of Zen of his era. This stream was a continuation of the East Mountain school of Hongren, as taught by his disciple Shenxiu, and by Shenxiu’s own many disciples who were spread through northern areas of the country. Shenxiu obtained unprecedented influence at the imperial court during the late seventh and early eighth centuries. Shenxiu’s disciples Puji and Yifu then carried on this influence until events overcame the school around the year 755.

Shenhui’s main attack on the Northern school occurred at a conference he staged at Great Cloud Temple in Huatai in the year 734. In that meeting, Shenhui put forth the “Exposition on Determining Right and Wrong [with respect to] Bodhidharma’s Southern school.” The conference staged a debate between Shenhui and a certain “Dharma master Chongyuan,” who defended the Northern school. Although the influence of this conference on the imperial court and public opinion is disputed, the meeting clearly laid out lines of battle between the doctrines of the southern and northern currents of Zen.

After the conference at Huatai, Shenhui proceeded to live in the northern capital city of Luoyang, where he directly confronted the Northern school by inciting opinion in public gatherings. Eventually, Shenhui was banned from Luoyang as a rabble-rouser. During the period of his banishment, historical events transpired that helped his cause. The An Lushan uprising, a catastrophically destructive rebellion against the Tang dynasty, led to the destruction of the twin capital cities of Luoyang and Changan. The areas suffering devastation were important regions of Northern school predominance. This direct destruction of the Northern school led to a vacuum of court influence that Shenhui’s followers managed to fill. Thus, the Southern school gained social and political ascendancy not simply due to a preferred religious doctrine, but as the unforeseen result of a civil war that wracked northern China during that era.

Shenhui thus founded what became known as the Heze (in Japanese, Kataku) school of Zen. The branch largely died out during the early ninth century and is not remembered as a major school. Nevertheless, the doctrine of sudden enlightenment remained a central characteristic that defined the teaching styles and cultural flavor of later Chinese Zen. In the next Zen generation, Mazu Daoyi’s Hongzhou school vigorously adopted a teaching style that expressed the “sudden” Zen outlook. That school displaced Heze’s school in influence during the ninth century, but the doctrine espoused by Shenhui had lasting influence on all subsequent generations of Zen teachers.

I've read elsewhere about more modern scholarship casting some doubt on Huineng, and the division of Northern/Southern schools. I think John McRae has written about it, but I'm going to have to search for some of his articles.

 

I found an interesting book, Zen's Chinese Heritage, The Masters and their Teachings by Andy Ferguson. It goes through the 1st twenty-five generations of Chan masters, beginning with Bodhidharma and ending with Foyan.

The main source material for this book is the Wudeng Huiyuan (Compendium of Five Lamps), dating from the mid-1200s. This excerpt is about Shenhui, the student of Huineng, also the one believed to have written the Platform Sutra.

HEZE SHENHUI (670–762) was an eminent disciple of the Sixth Ancestor. He strongly supported and promoted Huineng’s place in Chinese Zen history. Shenhui championed the Southern school of Zen, and vociferously attacked what became widely known as the Northern school, the school associated with Yuquan Shenxiu.

Shenhui put forward two reasons for his attack on the Northern school. The first was, “The (ancestral) succession is spurious.” Attacking Shenxiu’s legitimacy as the Dharma heir of Hongren was an extension of Shenhui’s proposition that that honor belonged exclusively to Huineng. Obviously, the argument was self-serving as well, since Shenhui could thus make a claim to be the true Seventh Ancestor of the Bodhidharma line.

The second reason for attacking Shenxiu was, “(His) Dharma gate is gradual.” By this, Shenhui meant that the various “gradual” spiritual practices employed by Shenxiu, as well as other disciples of Hongren, were fundamentally at odds with what Shenhui regarded as the genuine Zen of his teacher, Huineng.

Shenhui’s life and teaching are at the center of the most hotly debated questions of Zen history and thought. He is a controversial figure who set a standard of teaching that emphasized sudden, unmediated enlightenment. This characteristic of Chinese Zen distinguishes it from other Buddhist schools. The idea of nonmediated, sudden enlightenment clearly took solid root as a centerpiece of Chinese Zen during Shenhui’s era and suffused the teachings of subsequent generations of the Southern school.

Shenhui’s Zen, expounded in the name of the Sixth Ancestor, castigated the idea of “gradual” enlightenment achieved through meditation and religious practices that were meant to realize and maintain “pure original mind.” Shenhui’s proposition, in effect, attacked not only the Northern school, but many of the practices that were part and parcel of Daoxin and Hongren’s East Mountain Zen tradition as well, including their basic outlook on meditation practice.

Scholars have documented that Daoxin, Hongren, and Hongren’s disciples variously used “gradualist” practices, practices that set religious life distinctly apart from secular life, in their practice centers. One example was Hongren’s disciple Zishou Zhishen, the founder of the Sichuan Zen school, who is believed to have heavily emphasized chanting Buddha’s name over all other practices.

Yet Shenhui has been shown to have tampered with, not to say subverted, the historical facts surrounding Huineng’s life to gain ascendancy for his “sudden” Zen ideology. Shenhui’s account of Huineng’s life contains self-serving inconsistencies. Moreover, his writings about earlier Zen development, particularly the succession of Zen ancestors beginning with Shakyamuni Buddha, contain blatant errors and contradictions.

The “Northern” school was the name applied by Shenhui to the most politically dominant and powerful stream of Zen of his era. This stream was a continuation of the East Mountain school of Hongren, as taught by his disciple Shenxiu, and by Shenxiu’s own many disciples who were spread through northern areas of the country. Shenxiu obtained unprecedented influence at the imperial court during the late seventh and early eighth centuries. Shenxiu’s disciples Puji and Yifu then carried on this influence until events overcame the school around the year 755.

Shenhui’s main attack on the Northern school occurred at a conference he staged at Great Cloud Temple in Huatai in the year 734. In that meeting, Shenhui put forth the “Exposition on Determining Right and Wrong [with respect to] Bodhidharma’s Southern school.” The conference staged a debate between Shenhui and a certain “Dharma master Chongyuan,” who defended the Northern school. Although the influence of this conference on the imperial court and public opinion is disputed, the meeting clearly laid out lines of battle between the doctrines of the southern and northern currents of Zen.

After the conference at Huatai, Shenhui proceeded to live in the northern capital city of Luoyang, where he directly confronted the Northern school by inciting opinion in public gatherings. Eventually, Shenhui was banned from Luoyang as a rabble-rouser. During the period of his banishment, historical events transpired that helped his cause. The An Lushan uprising, a catastrophically destructive rebellion against the Tang dynasty, led to the destruction of the twin capital cities of Luoyang and Changan. The areas suffering devastation were important regions of Northern school predominance. This direct destruction of the Northern school led to a vacuum of court influence that Shenhui’s followers managed to fill. Thus, the Southern school gained social and political ascendancy not simply due to a preferred religious doctrine, but as the unforeseen result of a civil war that wracked northern China during that era.

Shenhui thus founded what became known as the Heze (in Japanese, Kataku) school of Zen. The branch largely died out during the early ninth century and is not remembered as a major school. Nevertheless, the doctrine of sudden enlightenment remained a central characteristic that defined the teaching styles and cultural flavor of later Chinese Zen. In the next Zen generation, Mazu Daoyi’s Hongzhou school vigorously adopted a teaching style that expressed the “sudden” Zen outlook. That school displaced Heze’s school in influence during the ninth century, but the doctrine espoused by Shenhui had lasting influence on all subsequent generations of Zen teachers.

I've read elsewhere about more modern scholarship casting some doubt on Huineng, and the division of Northern/Southern schools. I think John McRae has written about it, but I'm going to have to search for some of his articles.

 

cross-posted from: https://lemm.ee/post/2593059

I found some interesting articles from the Journal of Chan Buddhism. This is volume 1, there is a volume 2, but it's behind a paywall, or you can possibly get them if you have an institutional login...

I've only read the Repositioning Xinxing 信行 (540–594) in the Chinese Meditation Tradition. It was interesting, but I've yet to find any more information on Xinxing, but it seems he was pretty early in the Chinese Chan record.

Also I've been wanting to find more peer-reviewed journal articles on Chan, if anyone has any suggestions on where to look!

The peer-reviewed Journal of Chan Buddhism: East Asian and Global Perspectives is the first of its kind in English to specifically present academic research about Chinese Chan, Korean Sŏn, Vietnamese Thìên, and Japanese Zen Buddhism. The Journal of Chan Buddhism is an interdisciplinary or cross-disciplinary journal and will accept submissions from all academic disciplines related to the study of Chan/Sŏn/Zen Buddhism, including, but not limited to: the history of religions, literary studies, Dunhuang Chan studies, Tibetan and Tangut language Chan studies, doctrinal studies, art historical perspectives, institutional history, anthropological research, and comparative, philosophical studies. The journal also offers book reviews and translations into English of innovative research articles by eminent scholars in East Asia. The Journal of Chan Buddhism has separate area editors (e.g., Chan, Sŏn, Zen) to facilitate broad but still multifaceted coverage of Chinese Chan Studies, Korean Sŏn Studies, Vietnamese Thìên Studies, and Japanese Zen Studies.

The journal is hosted by the Buddhist Studies Forum at the University of British Columbia (UBC), funded by the Tianzhu Charitable Foundation of Guangdong Province, China, and facilitated by a Social Sciences and Humanities Research Council (SSHRC) project on Buddhism and East Asian Religions (frogbear.org) at the University of British Columbia (UBC).

 

I found some interesting articles from the Journal of Chan Buddhism. This is volume 1, there is a volume 2, but it's behind a paywall, or you can possibly get them if you have an institutional login...

I've only read the Repositioning Xinxing 信行 (540–594) in the Chinese Meditation Tradition. It was interesting, but I've yet to find any more information on Xinxing, but it seems he was pretty early in the Chinese Chan record.

Also I've been wanting to find more peer-reviewed journal articles on Chan, if anyone has any suggestions on where to look!

The peer-reviewed Journal of Chan Buddhism: East Asian and Global Perspectives is the first of its kind in English to specifically present academic research about Chinese Chan, Korean Sŏn, Vietnamese Thìên, and Japanese Zen Buddhism. The Journal of Chan Buddhism is an interdisciplinary or cross-disciplinary journal and will accept submissions from all academic disciplines related to the study of Chan/Sŏn/Zen Buddhism, including, but not limited to: the history of religions, literary studies, Dunhuang Chan studies, Tibetan and Tangut language Chan studies, doctrinal studies, art historical perspectives, institutional history, anthropological research, and comparative, philosophical studies. The journal also offers book reviews and translations into English of innovative research articles by eminent scholars in East Asia. The Journal of Chan Buddhism has separate area editors (e.g., Chan, Sŏn, Zen) to facilitate broad but still multifaceted coverage of Chinese Chan Studies, Korean Sŏn Studies, Vietnamese Thìên Studies, and Japanese Zen Studies.

The journal is hosted by the Buddhist Studies Forum at the University of British Columbia (UBC), funded by the Tianzhu Charitable Foundation of Guangdong Province, China, and facilitated by a Social Sciences and Humanities Research Council (SSHRC) project on Buddhism and East Asian Religions (frogbear.org) at the University of British Columbia (UBC).

 

Instant Zen #49: Sitting Meditation

Foyan, Cleary translation

The light of mind is reflected in emptiness;

its substance is void of relative or absolute.

Golden waves all around,

Zen is constant, in action or stillness.

Thoughts arise, thoughts disappear;

don't try to shut them off.

Let them flow spontaneously—

what has ever arisen and vanished?

When arising and vanishing quiet down,

there appears the great Zen master;

sitting, reclining, walking around,

there's never an interruption.

When meditating, why not sit?

When sitting, why not meditate?

Only when you have understood this way.

is it called sitting meditation.

Who is it that sits? What is meditation?

To try to seat it

is using Buddha to look for Buddha.

Buddha need not be sought,

seeking takes you further away.

In sitting, you do not look at yourself;

meditation is not an external art.

At first, the mind is noisy and unruly;

there is still no choice but to shift it back.

That is why there are many methods

to teach it quiet observation.

When you sit up and gather your spirit,

at first it scatters helter-skelter;

over a period of time, eventually it calms down,

opening and freeing the six senses.

When the six senses rest a bit,

discrimination occurs therein.

As soon as discrimination occurs,

it seems to produce arising and vanishing.

The transformations of arising and vanishing

come from manifestations of one's own mind.

Put your own mind to use to look back once:

once you've returned, no need to do it again;

you wear a halo of light on your head.

The spiritual flames leap and shine,

unobstructed in any state of mind,

all-inclusive, all-pervasive;

birth and death forever cease.

A single grain of restorative elixir

turns gold into liquid;

acquired pollution of body and mind

have no way to get through.

Confusion and enlightenment are temporarily explained;

stop discussing opposition and accord.

When I think carefully of olden days

when I sat coolly seeking,

though it's nothing different,

it was quite a mess.

You can turn from ordinary mortal to sage

in an instant, but no one believes.

All over the earth is unclarity;

best be very careful.

If it happens you do not know,

then sit up straight and think;

one day you'll bump into it.

This I humbly hope.

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