I bought a Mobiscribe recently, for the same reasons. It's an eReader with an eink display, but it's an Android tablet. I installed F-Droid, and then NextCloud (to access my ebooks) and Librera Reader. I also use it for listening to podcasts (via Bluetooth, since it's an Android tablet) and taking notes with the stylus.
beto
joined 1 year ago
MODERATOR OF
Anyone else using the Woovebox?
I received mine last year, and I'm slowly starting to explore it. It's a full groovebox, with samples, live mode, song mode, multiple synth engines. So small!
Everyone should be vegan. It's great for your health, for the environment, and more importantly, it would save more than a trillion (yes, with a T) lives every year.
In a hundred years we'll look back and be ashamed of what we did to animals.
Out of all the legendary albums on this list, I doubt many of them had their origins as an abandoned rock opera. Many arrangements and scraps of Pete Townshend’s abandoned Lifehouse project became the basis for Who’s Next, an album that has no underlying theme or storyline. This sense of freedom allowed The Who to focus on making great individual songs rather than an overarching story.
The result is The Who growing up in public. The songs combine the hard-hitting energy of the band in their youth with the more experimental elements explored on Tommy. The most noticeable improvement is Roger Daltrey’s voice, reaching heights that were only hinted at in the past. Keith Moon’s drum solo followed by Daltrey’s scream at the end of “Won’t Get Fooled Again” remains as one of rock’s greatest moments.
While everyone knows about the singles, from the opening keyboard of “Baba O’Riley” to the building acoustics of “Behind Blue Eyes,” every song on this record is a potential hit. Listen to the explosive chorus of “Bargain.” Check out a rare lead vocal from bassist John Entwistle on “My Wife.” With tracks like these, it’s easy to see why Who’s Next moved The Who from a great band of the ’60s to a rock superpower in the ’70s. — Joe Marvilli (2010)
You hire more people.
Has anyone played it on the Deck yet? What's the experience like?
Who would have thought four twenty-somethings from Minneapolis could produce something so timeless, so vital, and so vivid? Back in 1984, when The Replacements dished out their magnum opus, Let It Be, nobody did. While all eyes were on Prince at the time, Paul Westerberg, Tommy Stinson, Chris Mars, and Bob Stinson were creating pure, unadulterated rock and roll. With his heart on his sleeve, Westerberg poured his love, his loss, and his inhibitions into each and every lyric, note, chord, and yelp.
On “Androgynous,” the first hit of the piano strikes your nerves, tugging at your eyes, and by the time Westerberg sings, “Future outcasts, they don’t last,” you’re right there beside him — in the dusty bar, within the late hours of a week night, and with nobody to hold onto but the music. That’s everything The Replacements were meant to be; here they do that in every note, over 11 tracks, and for 33 minutes and 31 seconds. It’s not an album, it’s a life preserver. — Michael Roffman (2010)
With new jack swing falling out of favor by the mid-’90s and Lisa “Left-Eye” Lopez dealing with personal struggles that kept her away from the group for extended periods, TLC found ways to mature their sound on their sophomore album. Reuniting with Babyface, Jermain Dupri, and Dallas Austin while adding contributions from Sean “Puffy” Combs, Organized Noize, and Chucky Thompson, they bumped up the hip-hop and soul vibes to utter R&B perfection on CrazySexyCool.
At the same time, they helped spur a sex positivity movement that still evolves today by tackling romance from numerous angles: the tryst of “Creep,” the sweetness of “Diggin’ on You,” the XXX of “Red Light Special.” In between, they delivered one of the most enduring cautionary tales of all time in “Waterfalls.” CrazySexyCool was the R&B album of the decade. Today, it stands as a testament to confident womanhood, a statement sealed in the record books as the best-selling album by an American girl group ever and the first to reach Diamond status. — B. Kaye
Huh, that's weird, 7.x has been out for a long time.
How are you trying to install? From the terminal you can do something like this:
apt update
apt install ardour
Yeah, you can install from the package manager and later donate if you find it useful!
MIDI definitely got better with 7.x, and I think 7.5 is supposed to have finished the refactoring they did on the tempo maps. Before, it was common for a note to not play if started exactly at the beginning of the bar, you had to nudge it a little bit.
What OS are you using?
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It's also not really a nice belt, at most 3 stars.