Hopefully he knows something we don’t, though it’s probably just off the cuff optimism /wishful thinking.
Unfortunately, I think it's probably the latter - previous interviews have been...I would say fairly pessimistic about future seasons happening on Netflix. But maybe something has changed now that S2 has been out for a while?
which makes me question what the difference between a shuttle bay and a hanger is.
Almost makes you nostalgic for Voyager's "Shuttlebay 2."
My assumption was error in the "Star Trek: First Contact" tradition.
DANIELS: It's pretty bad, sir. It looks like they control decks 26 up to 11.
PICARD: There are 24 decks. Almost 700 metres long.
Star Trek is a country, right?
I thought that's what she was getting at at the time, though IIRC she didn't actually finish her sentence.
For all the talk about mysticism, "Space Babies," "Boom," "Dot and Bubble," and "Rogue" were all pretty standard episodes with the typical sci-fi-ish trappings. Even the Sutekh story didn't really require extra story elements to work.
In the end, I think the "magic exists now" line is pretty overblown.
Oh, that's fantastic - more Thirteen and Yaz can't be a bad thing.
That would be my guess, as well - Buenamigo had the class recalled in anticipation of them being mothballed.
I'm not sure I'd leave Neelix in charge of the Female Changeling's prison cell...
This episode is bursting at the seams, and I'm not sure how well it really holds together. The titular giggle is only a factor in the story for the first act, and is almost dropped entirely when the Doctor and Donna get to UNIT. From that point on, the special races from scene to scene, barely stopping to catch its breath.
And dammit, it works, largely on the strength of the performances. Everyone is at their best, from David Tennant, to Catherine Tate, to Jemma Redgrave, to Neil Patrick Harris as the Toymaker. Tennant sells the Doctor's absolute dread of the Toymaker before the episode has really earned it, and just as ably sells the Doctor's weariness as the episode essentially hits a reset button on the era that started back in 2005. The eventual bi-generation, and the fourteenth Doctor earning his "retirement," feel well-deserved. On top of all of that, Ncuti Gatwa's Doctor seems fully-formed right from the jump.
All in all, it's very fun, and very watchable. As a stray observation, I noticed the line about how UNIT's computers are running Triad on this rewatch.
Overall, I think the 2023 Tennant/Tate specials were a big success. They served up three distinct "flavours" of Doctor Who - madcap romp, existential horror, and epic final battle, and it did it well. I don't know how well it plays to new viewers, but they were certainly a good way to "wrap up" the 2005 reboot era, and start the new one.