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This one was written by Star Trek: Prodigy's Aaron J. Waltke.

Direct YouTube Link

Direct link to "The Scheimer Barrier, Chapter 4"

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It's not great, but I figured that I had to see it, so you do too.

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• The Orion starship we see in the opening is visually similar to the Orion interceptors seen in “Borderland” with some distinct differences.

     • Notably, this interceptor has a pair of arms extending from the underside of the ship, similar to the Orion starship seen in the TAS episode, “The Pirates of Orion.”

• Starting with Risik’s tattoos, we see several examples of the Orion alphabet introduced in “Borderland”.

• Among the plunder the Orion lower deckers are sorting is:

     • A Bat’leth

     • A number of 24th century Starfleet type-2 phasers

     • A Vulcan harp

     • A 23rd century Starfleet type-2 phaser

     • A Starfleet compression phaser rifle

”Hey, did you guys see that Maleer got big pieces of metal attached to her head?” In “Borderland” we were introduced to the idea that Orion body modification practices do include grafting bits of what appears to be scrap metal to their bodies.

• The captain’s chair aboard the Orion ship is similar in shape to the one seen in “The Pirates of Orion”.

• The Mysterious Threat destroys the Orion vessel, just as it did the Klingon Bird-of-Prey, IKS Che’Ta’ in “Twovix”, and a Romulan ship in “I Have No Bones Yet I Must Flee”.

“I have put my foot in my mouth enough when it comes to Orion stuff.” Tendi was hurt by Mariner’s insistence that all Orions are pirates who love to pillage in “Crisis Point”, and Mariner again insulted Tendi by suggesting she use her pheromones to influence a dom-jot game they were attempting to hustle in “We’ll Always Have Tom Paris”.

• Among his possessions on display, Boimler has a USS Cerritos commemorative plate.

• Tendi, Mariner, and T’Lyn take the Yosemite II shuttle on their away mission/girls’ trip. The original Yosemite was destroyed in when Mariner and Boimler were caught in a gravity well and forced to crash land in “Where Pleasant Fountains Lie”, and the Yosemite II was introduced in “Grounded”.

• As the shuttle approaches Orion, we see an Orion barge of the type operated by Harrad-Sar in “Bound”.

• Several of the buildings on the Orion skyline bear the symbol worn by the Orion crew in “The Pirate of Orion”.

“You grew up in a castle, like friggin’ Billups?” We learned that chief engineer Billups grew up as heir to the throne of the human colony Hysperia, which is populated entirely by “ren faire types.”

• Tendi confirms that her family is part of the Orion Syndicate, a criminal organization first mentioned in “The Ascent”.

• B’rt Tendi is played by Nolan North, who’s portrayed several Trek characters, including:

     • Bridge officer of the USS Vengeance - “Star Trek Into Darkness”

     • The Half a Rascal - “Much Ado About Boimler”

     • Cerritos transporter chief, Lundy

     • Sokel - “wej Duj”

     • K’ranch - “The Least Dangerous Game”

• The A.B. Chambers is the steamboat that Mark Twain briefly worked on.

• Boimler and Rutherford both show up dressed as Mark Twain. The real Samuel Clemens encountered the crew of the USS Enterprise D when they travelled back to 1893 in “Time’s Arrow”.

• Tendi was first referred to as the Mistress of the Winter Constellations in “We’ll Always Have Tom Paris”.

• The bottle the Slit Throat bartender pours from features an image of the Orion captain from “The Pirates of Orion”.

• The stir stick in Madam G’s drink is topped with the symbol worn by the Orion crew in “The Pirates of Orion”.

• New Seattle is a colony on Penthara IV, a world the Enterprise D responded to a disaster on in “A Matter of Time”.

• The pattern on the privacy screens of the hump dungeon mirror those of the fence in the fantasy Captain Pike experienced of Vina as an Orion “slave girl” in “The Menagerie, Part II”.

• T’Lyn observes that the male Orions in the hump dungeon appear to be under the influence of pheromonal chemical manipulation. It was established in “Bound” that Orion culture is actually matriarchal, with women controlling the men via the use of pheromones.

”Tendi’s made it clear that Starfleet made those pheromones up.” Actually, all Tendi ever said in “We’ll Always Have Tom Paris” is that she’s, ”not even that kind of Orion.”

• Coqqor is played by Eric Bauza, who’s portrayed several PRO and LDS characters, including:

     • Barniss Frex - “Asylum”

     • Scot’Ee and Sool’U - “All the World’s a Stage”

     • Assface and Screwhead - “Skin a Cat”

• Though there has previously not been any canon Chalnoth ships, the design here appears to be based on the ships seen on the cover of DC Comics’ “Star Trek: The Next Generation” #61, published in 1994.

• The starship boneyard that Tendi and D’Erika used to play in as children contains a Federation exploration vessel of the same design as the USS Raven, which Seven of Nine’s parents used to study the Borg and get assimilated. Ship type was first seen in “The Raven”.

• Coqqor devours Rutherford and Boimler’s bonsai tree. In “Allegiance” the Chalnoth Esoqq was unable to eat the food disks provided to Picard and the others by their captors, but did strongly imply that he could subsist on the Mizarian prisoner.

”I may not be a pirate, but I’ve rerouted my share of EPS conduits.” Tendi demonstrated her shipjacking abilities in “Hear All, Trust Nothing”.

”A report without the subject’s consent would be unethical.” Vulcans monitor other species without their consent all the time, such as in “Star Trek: First Contact”, “The Andorian Incident”, and “Carbon Creek”.

• Boimler and Rutherford end the episode on the holodeck, both dressed as Wolfgang Amadeus Mozart. The works of Mozart have been featured in:

     • “Where No One Has Gone Before”

     • “The Ensigns of Command”

     • “Sarek”

     • “A Matter of Time”

     • “A Fistful of Datas”

     • “Cogenitor”

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Rare Find: Lt. Uhura's Lost Singing Performance at Smithsonian!

Interesting discovery.

https://www.youtube.com/watch?v=aIK21SonkSI

@startrek #StarTrek

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LoglineTendi is summoned back to Orion for a wedding.

Written by: Grace Parra Janney

Directed by: Bob Suarez

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Here's the direct YouTube link, though the latest issue of the accompanying comic can only be found on the official website.

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• Cap’n Freeman’s log records the stardate as 58759.1.

• The world of Corazonia is an artificial ringworld circling a star. In “Rosetta” and “Coming Home” we saw that Species Ten-C used similar Dyson rings to harvest energy from the stars of their original home system, and their newly established home.

     • The scale of Corazonia and its star is…questionable, but that’s hardly a new issue in Trek. Consider the USS Voyager traveling through the planetary ring in VOY’s title sequence, or the utterly massive Borg cube being visible in Jupiter’s eye in the PIC finale, “The Last Generation”.

     • Not canon, but Corazonia very much resembles the Ringworld from the cover art of Larry Niven’s 1970 novel, “Ringworld”, set in his Known Space series, which is also the origin of the Kiznti.

• Corazonia’s climate is controlled by a sentient computer, Vexilon. Other planet controlling computers have been seen in:

     • “The Return of the Archons” - Landru

     • “The Apple” - Vaal

     • “Spock’s Brain” - The Controller

     • “For the World is Hollow and I Have Touched the Sky” - The Oracle of the People

     • “When the Bough Breaks” - The Custodian

• Freeman roles up her sleeves before getting to work on Vexilon, not unlike the way Mariner keeps her sleeves all the time, despite it landing her in the brig at least once.

• Freeman states that she ”minored in archaic technology back at the Academy.” If Mariner is to be believed in “Room for Growth”, the USS Cerritos has been overwritten by D’Arsay technology three times.

• Boimler’s team’s shuttle is the Kings Canyon, presumably named for Kings Canyon National Park

”Statistically, ensigns serving under recently promoted commanders are more likely to experience death and/or dismemberment.” Wesley Crusher’s entire team in “Pen Pals” died during his first time in charge, and he wasn’t even recently promoted.

• Inside the anomaly storage room we see:

     • A probe resembling the Kataan probe from “The Inner Light” but with some notable differences

     • What appears to be an oversized Vulcan lirpa

     • Nomad from “The Changeling”, or a very similar Earth probe transformed into an artificial life form

     • A Wadi board game, from “Move Along Home”

     • What appears to be an empty transport case for a Medusan, including a visor missing the red protective lens; Ambassador Kollos used one in “Is There in Truth No Beauty?”

     • A bat’leth

     • A Betazoid gift box, like the one seen in “Haven”

     • A 23rd century Romulan cloaking device, like the one Kirk and Spock stole in “The Enterprise Incident”

• Billups’ pet ferret is named Lancelot; it was established in “Where Pleasant Fountains Lie” that Billups comes Hysperia, a planet colonized by “Ren faire type” humans.

• Tendi, Mariner, and Rutherford are using T-88 scanners to check the chips in the isolinear chip junction. T-88s were first seen in “Cupid’s Errant Arrow” and weren’t available fleetwide yet, but Rutherford and Tendi did steal a bunch from the USS Vancouver.

”Is it a unotronic?” Duotronic and multitronic systems were designed by Richard Daystrom, which we learned in “The Ultimate Computer”. This is the first mention of a unotronic system, though it’s not entirely clear if that’s an actual thing, or simply a bit for Billups’ joke.

• Dirks claims he was trapped in the Wadi game for a month as a child. The Wadi are a gamma quadrant civilization who were first encountered in 2369, 12 years prior to this episode.

• Boimler refers to the large blue guy as ”Big Merp.” In “I, Excretus” the scoreboard showed that another member of the same species was also named Merp. Are all members of the species named Merp? Is it the name of their species and just what they’re all called? Or is Merp simply a common name among their species?

• Rutherford ends up in the Wadi game, where he encounters the same puzzles Captain Sisko, Kira, Doctor Bashir, and Jadzia did in “Move Along Home”.

• Dirks states the Tellarite slop jazz musician Fats B’zirtak overdosed on ketracel-white. Assuming fats was not a Jem’Hadar, I believe this is the first time we’ve heard of a non-Jem’Hadar consuming ketracel-white in canon.

• The Betazoid gift box gets zapped by the not-Kataan probe and experiences an entire simulated life, similar to what happened to Captain Picard in “The Inner Light”, though at no point from Rutherford’s perspective does the gift box appear to be unconscious.

     • ”I miss my wife.” The gift box repeats Michael Sullivan’s line from two episodes ago in “Twovix”.

• After he dies we see Boimler in room which appears to be inspired by the red room from “Twin Peaks” based on the floor pattern, lamp, and end table. Outside the window he sees the black mountain, which Shaxs described as a ”spiritual battleground” in “We’ll Always Have Tom Paris”.

     • The Koala appears, and according to the subtitles it’s ”speaking Koala” but if you reverse the audio it says, “It is not your time, Bradward Boimler.”

     • This is the second time Boimler has seen the Koala, the first being when he nearly drowned in “First First Contact”.

     • Despite being at the Black Mountain, Boimler did not have to fight three faceless aspirations of his father, nor did the surviving father feed Boimler his own heart, as Shaxs described in “We’ll Always have Tom Paris”.

”You never forget your first death.” Ransom implies that he too has died.

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Stumbled over this in Gothenburg, Sweden. Made my day.

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I rewatched the first episode of Voyager, and when Neelix first comes aboard the ship, he marvels at the great culture that created it. Tuvok says something along the lines of "The Federation is made up of many cultures. I am Vulcan". A few scenes later, Neelix calls Tuvok "Mr. Vulcan", and Tuvok does not correct him. So, yeah, 100% lack of communication on Tuvok's side. Sure, Neelix hears other people call Tuvok by his proper name, and as some point he understood "Vulcan" is the name of his race. But by then, as Tuvok never corrected him or shown any visible dislike to being called that, he might have come to the conclusion that Tuvok likes it, and thinks of it as a funny nickname.

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For many years now I've had in my memory this scene from star trek tng where, for whatever reason, a group of British officers and Irish officers led by O'Brien start getting nationalistic and sing their respective national songs at each other. I remember the British were singing "Rule Britannia" but I don't recall the Irish song.

Writing this out it sounds bizarre and I'd almost think I dreamt it up but I couldn't come up with these details. I might have seen it somewhere else but i distinctly recall O'Brien. Does this sound familiar to anyone else? If indeed this is real, what episode?

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StarTrek.com link featuring the second chapter of "The Scheimer Barrier".

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Produced by: Awesome Inc
Created by: Casper Kelly
Executive Producers: Casper Kelly, Ashley Kohler
Supervising Producer: Brandon Betts
Producer/Director: Aaron Hawkins

Cast: Ethan Peck, Pete Holmes, Cristina Milizia, Bonnie Gordon, Eric Bouza

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"Twovix" loglineThe Cerritos ensigns must assist a caretaker on the voyage of a historically significant starship.


Written by: Mike McMahan

Directed by: Barry J. Kelly & Jason Zurek


"I Have No Bones Yet I Must Flee" loglineMariner tries to get demoted, Rutherford tries to get promoted, and Boimler makes a big move.


Written by: Aaron Burdette

Directed by: Megan Lloyd

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As previously advertised.

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An interesting, deliberately thought provoking 🤔 question for a lazy long weekend Sunday morning…

Setting aside whether specific fans like specific ‘gimmicks’ (crossovers, musicals, bringing back Kirk or Khan) or tropes (transporter malfunctions), Space.com is posing the hypothesis that the proportion was too high in Strange New Worlds second season.

There’s no arguing that the season was successful in drawing in large audiences week after week. Taking a look back though, was there too much trippy-Trek(TM) dessert and not enough of a meaty main course? YMMV surely.

For my part, I can both agree that trippy Trek is something I’ve been wanting more of, and that I would have welcomed 2 or 3 more episodes were more grounded or gave the opportunity to see more of Una as a leader and dug into Ortegas backstory.

The 90s shows seemed to be bit embarrassed by trippyness, although Voyager found its pretext allowed even stern Janeway to pronounce ‘Weird is our business.’ One can argue that the high proportion in SNW is a feature, not a bug.

I’d still prefer a 12-15 episode season though.

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There are inspiring, epic quotes in Star Trek. Words that stir the soul, shining a light on paths to a brighter now and a better future. But, what about those bits of dialog that don't have a stirring message, that you enjoy just because you enjoy them?

One of my favorites, from DSC season 3, Episode 1:

"I don't know. But it was temperature-sensitive and really valuable, so it's probably ice cream."

Burnham is captured and being questioned at the Merchantile. After being spritzed with a dose of space truth serum, Burnham's captors question her about stolen cargo. When asked by her captors what the cargo is, a very drugged up Burnham says the above with serious sincerity. I love the entirety of Burnham's chattering and behavior while she is under the influence of the space truth serum. That particular line always makes me smile, though.

Do you have a favored, not particularly inspiring, you just like it, Star Trek quote?

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Interesting extract from a longer /Film interview with in-demand director Roxann Dawson.

I appreciate how she speaks with respect for the shows of the new era.

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Susan Oliver was playing a green-skinned Orion slave girl, but I had to test her makeup because she was too expensive and I was under contract already; I was cheap, they had to pay me anyway. The makeup they put on me was green as green can be, but they kept on sending out the rushes and we would get it back for the next day, and there I was just as pink and rosy as could possibly be. This went on for three days until they finally called the lab and said, “What do we do? We’re trying to get it green.” And they said, “You want that? We’ve been color-correcting.”

Excerpt from: The Fifty-Year Mission: The First 25 Years

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