zecg

joined 1 year ago
MODERATOR OF
[–] zecg@lemmy.world 9 points 5 days ago (1 children)

Touch sum fucken grass dude

[–] zecg@lemmy.world 3 points 5 days ago

It's already public, it's just lemmy users who don't see them.

[–] zecg@lemmy.world 3 points 1 week ago

You can use a client that doesn't offend your eyes.

[–] zecg@lemmy.world 11 points 1 week ago* (last edited 1 week ago)

This will make people angry in waves as updates break bitlocker and cohorts don't have their key, a new one each time

[–] zecg@lemmy.world 16 points 1 week ago (1 children)

a "zeitgeist of our times"

An ATM machine

[–] zecg@lemmy.world 28 points 1 week ago (2 children)

Ads, no, are not ok. F-droid can fuck right off if an ad appears, I'll just get apks from github

[–] zecg@lemmy.world 44 points 2 weeks ago (3 children)

I use only Firefox / Fennec, but fuck Mozilla. The obscene amounts they paid their CEO for stupid decisions, their shitty Pocket acquisition, regressions such as saving page as pdf simply disappearing on mobile. Let that rotten corporation die, the code is open source, someone will do a Gecko browser.

[–] zecg@lemmy.world 2 points 2 weeks ago (2 children)

You can get quite some graphics if you're going for 45 fps, deck's variable refresh is a total game changer

[–] zecg@lemmy.world 4 points 3 weeks ago

Exactly. I'm not touching a product that can be stealthily enshittified. A product that can EXPRESS OPINIONS that someone tweaked. Besides, I am well versed at finding shit on my own and the amount of time I spend on it is negligable. I'll be here muttering about hating the antichrist.

[–] zecg@lemmy.world 3 points 3 weeks ago

Tankies to the left of me, chatbots to the right, here I am, stuck in the middle with you

 

"Fun Fact: in "Keyboard", the van goes in circles. So, the centrifugal force being applied to the excrement is keeping it from falling on the floorboard. So technically the driver is playing the keys for this song."

 

Research Records welcomes back Melbourne quartet Big Yawn for their fourth full-length offering, "NGBE." Big Yawn's ability to blend complex rhythm sections with infectious basslines, deep synth work, and tongue-in-cheek sampling remains ever-present, and perhaps is the most advanced we've heard yet. Sitting in a world of its own, the album—named after the group's beloved and lost warehouse space, National Gallery of Brunswick East (where most of the material was recorded)—features a wide array of soundscapes spanning mutated drum 'n' bass, low-key grime, rap, and dub-wise antics, all laced with a heavy dose of FX.

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