kixiQu

joined 4 years ago
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I like the rewindy-aspect of having to pick up a few cards when you get it wrong. My partner and I were both new so it's possible it's more monotonous if you're better at the strategy.

 

Chinook jargon is kind of the coolest thing that ever happened in the PNW, at least linguistically speaking. My great-grandfather taught my grandfather a bit, and he taught my mom a bit, and she taught me a bit, and that's not much as far as such lineages go but it's something. I would like to know more than I do, and should probably find some kind of podcast or audio lessons, since everything I encounter with the first mentioned lack-of-a-system orthography system has been.... puzzling. Still, since it's in the pidgin-creole space, I can do my best as far as those Qs are concerned and that's still in the spirit, I'd think.

 

If you like Squishables and tokidoki, these strike me as being a midpoint.

Do people actually put keys on stuffed animal keychains, though? Wouldn't they get filthy? Am I uniquely grimy?

 

In short, [in the anti-professionalist view] the actor enmeshed in a system is doing things for the wrong reasons, not for the reasons that would recommend themselves to him if he were not thus "constricted," but for reasons that attach to the limited and suspect goals of the professional enterprise.

In this opposition of the central or essential to the superficial or ephemeral we have the essence of the long quarrel between rhetoric and philosophy, a quarrel that philosophy has by and large won, since more often than not rhetoric is identified as the art of illegitimate appeal, as a repertoire of tricks or manipulative techniques by means of which some special interest, or point of view, or temporary fashion passes itself off as the truth. The rhetorical, then, is that which stands between us and the truth, obscuring it, preventing us from allying ourselves with it, and tying us instead to some false or partial god.

That is, if one is operating from within what we might call an ideology of essences-a commitment to the centrality and ultimate availability of transcendent truths and values-one will necessarily view with suspicion and fear activities and structures that are informed by partisan purposes (the spirits of advocacy and vanity) and directed toward local and limited (that is, historical) goals. Antiprofessionalism, in short, follows inevitably from essentialism, so much so that an essentialist who wishes in some sense to give professionalism its due cannot avoid falling into the anti-professionalist stance.

The word illusion marks the passage (apparently unnoticed by the author) from observation to judgment, from the description of something as conventional and historical to the declaration that therefore it is unreal. But one cannot say that because literature and literary theory are conventional-that is, effects of discourse-they are illusory without invoking as a standard of illusion a reality that is independent of convention, as essential reality; and once one has done that (however knowingly or unknowingly) the familiar anti-professionalist complaint against structures and practices that stand between us and what is true and valuable and sincere cannot be far behind.

It might seem that the only alternative to anti-professionalism is quietism or acquiescence in the status quo because by discrediting it, I have taken away the basis on which this or that professional practice might be criticized. But in fact, the only thing that follows from my argument is that a practice cannot (or should not) be criticized because it is professional, because it is underwritten by institutionally defined goals and engaged in for institution-specific reasons; for since there are no goals and reasons that are not institutional, that do not follow from the already in-place assumptions, stipulated definitions, and categories of understanding of a socially organized activity, it makes no sense to fault someone for acting in the only way one can possibly act. This does not, however, rule out opposition, for someone can always be faulted for acting in institutional ways that have consequences you deplore; and you can always argue that certain institutional ways (and their consequences) should be altered or even abolished, although such arguments will themselves be made on behalf of other institutional ways (and their consequences).

It is an ideology both because it serves certain well-defined interests (despite its claims to neutrality and to equal access) and because it is at variance with the facts as Larson understands them. She points out that rather than owing nothing to society, the professional owes everything to society, including the self whose independence is his strongest claim and justification. That is, it is only with reference to the articulation and hierarchies of a professional bureaucracy that a sense of the self and its worth-its merit-emerge and become measurable.

A professional must find a way to operate in the context of purposes, motivations, and possibilities that precede and even define him and yet maintain the conviction that he is "essentially the proprietor of his own person and capacities." The way he finds is anti-professionalism. As we have seen again and again, antiprofessionalism is by and large a protest against those aspects of professionalism that constitute a threat to individual freedom, true merit, genuine authority. It is therefore the strongest representation within the professional community of the ideals which give that community its (ideological) form. Far from being a stance taken at the margins or the periphery, anti-professionalism is the very center of the professional ethos, constituting by the very vigor of its opposition the true form of that which it opposes. Professionalism cannot do without anti-professionalism; it is the chief support and maintenance of the professional ideology; its presence is a continual assertion and sign of the purity of the profession's intentions. In short, the ideology of anti-professionalism-of essential and independent values chosen freely by an independent self-is nothing more or less than the ideology of professionalism taking itself seriously.

What this means, finally, is that even if one is convinced (as I am) that the world he sees and the values he espouses are constructions, or, as some say, "effects of discourse," that conviction will in no way render that world any less perspicuous or those values any less compelling. It is thus a condition of human life always to be operating as an extension of beliefs and assumptions that are historically contingent, and yet to be holding those beliefs and assumptions with an absoluteness that is the necessary consequence of the absoluteness with which they hold-inform, shape, constitute-us.

I came upon this because I was really looking for criticisms of The Professions made on the grounds that they are too siloed from wider society, and I think that's sort of rattling around within Eagleton's complaint. It isn't that there isn't social validation of (whatever we're agreeing counts as) professionalist nonsense, it's that the institutions that provide that validation are not capital-S Society. But it's fun to get to that ending excerpt and find the intellectual tension between the absolute and contingent that is both irrefutable (in any satisfying way) and unacceptable (in any sense that demands satisfaction).

 

I am extremely hype about Multiverse and this was my first try taking it out for a spin. Except for messing up one bit with overlap, I think it turned out pretty much how I'd hoped!

 

Inviting our friends into a larger part of our lives means reclaiming more of our time from the isolation of work and daily survival. Our social lives and our survival become the same thing. Entertaining each other at dinner parties will always be fun, but what about sharing child care or joining community organizations together? When it comes to working for my employer, a strict boundary is essential. But when it comes to hanging out with my friends, why should I be so rigid? Why not allow my social life to overtake my errand running and my chores? Why must we try to “entertain” each other when our relationships would become much deeper and more interesting if we did things together other than nibble hors d’oeuvres and drink wine?

The biggest lessons from communal living probably have to do with child care and elder care, I suspect, simply because post-industrial isolation-living has screwed over caretakers so bad.

I found this via Anne Helen Petersen, who wrote:

Even people who come out on theoretical top of this personal choice pile — because of income, race, inherited wealth, credentials, location, home equity — are still miserable. Everyone’s doing their own dishes and we’re all lonely. So what would other ways of living look like? We often don’t have to look too far to find them: they’re in our immediate histories, even in our immediate proximity, in everything from babysitting co-ops to barnraisings. You don’t need a lot of resources to start them. You just need an abundance of imagination, enough to overcome our current understanding of what the rhythms of daily life should look like.

I'm in an incredibly privileged position and I can feel how true this is. I want to start working with my little household to figure out how enmeshing ourselves with others could look post-pandemic...

 

The tricky thing is that far more people have outdated browsers that don't support all the cool HTML/CSS stuff I want to do (and that the author also does a lot of).... but even so, I check up on how my site looks on Lynx every now and again.

 

It's a beautiful little webpage that does not try to be any more than it is. The sound is a big part of it so if you can't check it out with sound on, maybe save it for later.

 

The thing that's novel here, to me, is not that they were pushing engagement at all costs; that was evident from Zuck's whole....shtick. The key is that they were aware what those costs were, in more detail than anyone could divine from the outside.

What do we have to offer people in response to this that's positive? What is being built that's better? What are the funding models that don't inevitably circle the advertising-eyeballs drain? I want to read people's positive visions for change. I want to help things change. That's one thing the Indieweb has going for it--even when you aren't Fully Onboard With All Parts Of It, it's clearly articulating what a better world might look like, and the big names there deserve props for it. The Fediverse, too--it's growing toward what it wants to be, and that's beautiful and wonderful.

(I also want to break up Facebook and salt the goddamn earth of Menlo Park, but that's its own thing, I suppose)

 

If you began this article with the hope and expectation that you would get to see us spit on our hands, put on our dictionary pants, and tell the people who use supposably that we are very disappointed in them….that’s not going to happen.

First of all, dictionary pants are very tight and uncomfortable, and are only worn in the direst of circumstances.

 

Kennedy's is good in a boring way. I scorn beige and all those who freely choose it. Truman also gets points.

 

I have spread wrong info about this before so this is a bit embarrassing to learn. Feel free to round up to the nearest dollar - no one is Getting One Over on you.

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