USSBurritoTruck

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[–] USSBurritoTruck@startrek.website 2 points 1 month ago (15 children)

October 15 Prompt - Red Alert

For this prompt, I had to pay tribute to the best to ever do it; when Riker says, "Red alert!" you know shit is about to pop off. I've never actually played a Phoenix Wright game, but I do like the objection meme.

[–] USSBurritoTruck@startrek.website 2 points 1 month ago (16 children)

October 10 Prompt - Shuttlecraft

Let's call this one a work in progress. I decided that the prompt would be a good opportunity to make an updated space burrito truck for my user icon. However it's game night, so I was drawing in between turns of Dune: Imperium, and thus only got the bare bones done. I will definitely be revisiting this to finish it up.

Also, going out of town for Thanksgiving -- or as we here in Canada call it, Canadian Thanksgiving -- and I'll have limited internet access, so I probably will have to post the next handful all at once upon returning to civilization.

[–] USSBurritoTruck@startrek.website 2 points 1 month ago (17 children)

October 9 Prompt - Diplomatic Incident

"It's a finger trap!" When I was a kid, I thought the end of "The Last Outpost", where Riker requests permission to beam a crate of Chinese finger puzzles over to the Ferengi starship was pretty funny. In the hindsight of adulthood, it's pretty silly to think that the Ferengi, even TNG Ferengi, would be so flummoxed by some woven paper cylinders, but it's still fun to think that there's a D'Kora-class marauder out there full of Ferengi out for revenge against the Enterprise over such a simple thing.

[–] USSBurritoTruck@startrek.website 2 points 1 month ago* (last edited 1 month ago) (18 children)

October 8 Prompt - Away Mission

image

My first attempt to use the animation tools in Clip Studio Paint, and I'm happy with how this one turned out. Especially seeing as I scrapped my original attempt and started over when I was almost done with Pike.

[–] USSBurritoTruck@startrek.website 2 points 1 month ago (19 children)

October 7 Prompt - Academy Era

Did you know that Kirk and Tilly are canonically the same age, and thus probably attended Starfleet Academy at the same time? You do now! I also decided to give them the cadet uniform we see in a couple TOS episodes, including "Shore Leave", and I'm not sure how well that translates.

Time went a little long on this one so I technically missed the mark on finishing it, which makes the fact that I don't think I like it all that much doubly unfortunate. In my head I had in mind a sort of children's storybook style, but the execution leaves something to be desired. Oh well!

No, I haven’t taken the time to build a list of all the Canon Connections posts. I appreciate the suggestion.

[–] USSBurritoTruck@startrek.website 2 points 1 month ago (20 children)

October 6 Prompt - Mirrorverse

We know from DS9 that Spock becomes the emperor of the Terran Empire at some point (leading to the downfall of the Empire, because it's too week to defend itself from the Klingon-Cardassian Alliance), but outside of the comics, we don't actually see Emperor Spock at any point, and I haven't read those comics.

Anyways! I wasn't really feeling this prompt, so I left it until the last minute, and that's why it's just black line-art on white. Or, was I making a colouring book page? You decide!

[–] USSBurritoTruck@startrek.website 4 points 1 month ago (21 children)

October 5 Prompt - Time Travel

This is my favourite one, so far. I was honestly at a bit of a loss as to what to do for the prompt originally, but then I thought about just drawing the Guardian of Forever and calling it a day. That led me to drawing Carl from Disco, and trying to do that in an LDecks style, which in turn led to the headline in The Star Dispatch about Boimler getting snacked upon by a tyrannosaur.

If it it was based on a book I happened to bring along for entertainment, there's a good chance it would a John Scalzi novel, which means it could be "Redshirts", and that would be pretty surreal.

Or some Ninja Turtles comics.

[–] USSBurritoTruck@startrek.website 3 points 1 month ago (22 children)

October 4 Prompt - First Contact

I'm pretty vocal about the fact that "Star Trek: First Contact" is a movie I don't have much love for. However, I really do like the TNG episode, "First Contact". So here's Riker and the Malcorian nurse played by Bebe Neuwirth. Is the scene with them a bit problematic in hindsight? Yeah, it's not great.

I got to put a bit more time into this one, and I think it show. My original intent was to do more than just a pair of floating heads, but even though I was able to block out the extra time, and I cannot stress this enough, I am very slow. So this is what I've got! I like it. I like how Lanel, the Malcorian nurse, turned out more than I do Riker. I used one photo reference for both, and in hindsight I should have used a different angle for Riker.

 

Not my original content.

 

Happy Free RPG Day!

 
 

Not my OC

 

• This is the series finale of the “Star Trek: Discovery”, the first instalment of what we might consider to be the modern era of Trek.

    • Premiering in 2017, DIS ran for five seasons over the course of seven years.

    • The show has a total of 65 episodes.

• The episode title, “Life, Itself” is a reference to the 1973 Disney animated classic, “Robin Hood” wherein the titular outlaw says the line, ”Marian, my darling, I love you more than life itself.” Q transformed captain Picard into a version of the cartoon fox in "Qpid".

• This episode’s credited director is series executive producer, Olatunde Osunsanmi, who has directed thirteen prior episodes of DIS, and two “Short Treks”. HIs presence is immediately apparent in the cold open when the first thing we see is the camera rotating upside down. The use of the flame jet emitters in the bridge is also one of his hallmarks.

    • Jonathan Frakes is the uncredited director of the final sequence of the episode, which was done in reshoots after it was announced the series was ending. That means Frakes is now responsible for closing out two Trek series, both DIS and ENT.

• I previously speculated that the floating wickets at the end of this season’s credit sequence were from the bridge of the Breen dreadnought, but that was incorrect. The interior of the Pregenitor technology features floating wickets as windows into different biomes, and they resemble the ones in the credits much more closely.

• We see a dead Breen whose helmet is smashed open and a bunch of green goo is spilled out, perhaps confirming the fan speculation that when a Breen dies while not in its solid form, their body loses cohesion, and that is why Worf’s statement in “‘Til Death Do Us Part” that no one had ever seen a Breen outside of the refrigeration suit remained true, despite Kira and Dukat incapacitating two Breen to steal their suits for disguises in “Indiscretion”.

• The Breen that tackles Burnham is the one who had a tether attached to their suit before attempting to enter the Pregenitor technology in “Lagrange Point”; you can see the snapped tether still protruding from their back.

Production error: The hurricane force winds are strong enough that Burnham and the Breen whom she’s fighting are both blown horizontal, but Burnham’s braids remain hanging down from her shoulders.

• The final credits sequence brings back graphics from earlier seasons:

    • The captain’s chair from season one

    • The environmental suit from season one

    • The paired Klingon mek’leths from season one

    • The graphical representation of Zora from season four

    • Book’s unnamed ship, from season three

    • The flip communicator from season one

    • The Red Angel suit from season two

    • The DMA from season four

    • The badge from season one

• The Breen fighters we see have an asymmetrical design with some elements of what we saw from the Breen interceptors in DS9.

”This is like the avalanche all over again.” Rayner recalls the events of “Red Directive”.

”Ever since Jinaal, I’ve been trying to figure out what it means. This change inside me, or whatever it is.” Doctor Culber refers to the third episode of this season by its title.

”I know what it’s like to lose somebody who means everything to you. I do. But thankfully, I got him back.” In “Will You Take My Hand?”, Ash Tyler left to support L’Rell’s bid to become chancellor. They were reunited in “Saints of Imperfection”.

    • Moll does not get L’ak back.

• In the interior of Saru’s shuttle, we can see a pathway drive for the first time, though it was mentioned in the season four premiere, “Kobayashi Maru”.

• Burnham and Moll locate a cairn. Burnham surmises it is the grave for the sixth scientist, the one whom Jinaal mentioned having died when the group located the Pregentior technology.

”Nine. That’s the number you need to make a larger triangle.” There are ten triangles on the Pregentior interface when we’re shown an unobstructed close-up. Moll is as good at counting as L’ak was at not stabbing himself.

• The USS Discovery A destroys the fleet of Breen fighters pursuing them by using a photon torpedo to ignite a pocket of plasma. In “Shadows and Symbols”, the IKS Rotarran used an EM pulse to trigger a solar plasma ejection, destroying a Dominion shipyard.

• Doctor Culber remembers the resonance frequency of the Pregenitor technology portal from his time as host to Jinaal’s consciousness in “Jinaal”.

”My species are predators, and I have studied you like prey.” In season one of DIS, the Kelpiens were mentioned repeatedly to be a prey species, and Saru was the lens through which that was presented. It was not until “The Sound of Thunder” in season two that Kelpiens were established to have nearly driven the Ba’ul to extinction thanks to the changes they undergo post-vahar’ai.

    • In “Die Trying”, the medical hologram Eli claimed that Saru might be the last Kelpien to display biochemical traces of vahar’ai.

• The Progenitor whom Burnham meets reveals that her people were not actually the originators of the technology, and shares a theory that there was some sort of pre-Progentiors who created it, and them as well. Some sort of Pregenitors, if will.

• Apparently the Discovery A can perform a saucer separation. It’s unclear if this was a feature of the Discovery pre-refit, but in “The Apple” Kirk suggested, ”Discard the warp nacelles if you have to,” to Scotty in order for the USS Enterprise to be able to devote as much power as possible to the impulse engines.

• The Progenitor causes Burnham to experience four billion years of development in a moment. In “Hard Time”, O’Brien was implanted with memories of 20 years in prison, and it messed him up pretty badly for the rest of the episode.

• “Nothing here can bring him back. I’m so sorry.” Burnham informs Moll that the Pregenitor technology can’t be used to bring L’ak back to life. Things that have been used to bring characters back to life in Trek include:

    • Scotty was revived by Nomad after Nomad had killed him in “The Changeling”.

    • Spock died in “Star Trek: The Wrath of Khan” but the Genesis planet, revived his body as an infant, allowing for his katra, which had been transferred to Doctor McCoy, be returned to his now alive body.

    • Worf and Wesley were both killed in a battle with bestial soldiers conjured by Q. Riker resurrects them with his temporary Q powers.

    • Harry Kim had to die in “Emanations” to get transported back to the USS Voyager. The Doctor was able to revive him with medicine.

    • Neelix dies in “Mortal Coil”, but is revived with Borg nanoprobes.

    • Kelvin universe Kirk died in “Star Trek Into Darkness”, but Doctor McCoy was able to filter Khan’s augment blood through a tribble and save him. Or something.

    • Doctor Culber’s neck was snapped by Ash Tyler in “The Saints of Imperfection”, and beings that live in the mycelial network revived him using fungus material from an interdimensional transporter as his new body in “Despite Yourself”.

    • Shaxs died aboard an exploding Pakled clumpship in “No Small Parts”, but returned in “We’ll Always Have Tom Paris” with story of having visited the black mountain and fighting three faceless apparitions of his father.

”I realized we already have infinite diversity in infinite combinations.” The IDIC is a Vulcan philosophy first mentioned in “Is There In Truth No Beauty?” so that Gene Roddenberry could sell merch.

• Outside Federation HQ there is:

    • An Eisenberg-class starship

    • A Mars-class starship

    • A Saturn-class starship

    • A Merian-class starship

    • A Courage-class starship

• Among the trinkets in Kovich’s display are:

    • A Terran knife

    • A type-2 phaser of the sort introduced in season five of TNG

    • A bottle of Chateau Picard dated 2249

    • A VISOR, presumably the one Geordi wore beginning in season two of TNG

    • A baseball; it’s too clean to be Sisko’s so perhaps it’s Rom’s from “Parth Ferengi’s Heart Place”

    • Perhaps it’s noteworthy that Kovich does not have any items from the NX-01

• Kovich reveals himself to be Daniels, the temporal agent introduced in “Cold Front”.

    • Kovich says he’s from the USS Enterprise, but the NX-01 did not have the USS designation.

• Book had a confrontation with Talaxian pirates. Neelix established in “Non Sequitur” that Talaxian piracy is mostly cased around the procurement of haircare supplies.

• Molly was the endangered trance worm Book rescued from the Emerald Chain in “That Hope is You, Part 1”.

• In Burnham and Book’s 33rd century home on Sanctuary Four, they have the Tuli wood box in which the Eternal Archive and Gallery’s World Root cuttings were stored in “Labyrinths”, and captain Georgiou’s telescope, first seen in “The Vulcan Hello” and received by Burnham in “The Butcher’s Knife Cares Not for the Lamb’s Cry”.

• We learn that Burnham has attained the rank of Admiral.

• There is a deer-like creature on Sanctuary Four that Burnham calls Alice. Presumably she named the creature for “Alice’s Adventures in Wonderland”, a book we learned Amanda Grayson read to her as well as Spock in “Context is for Kings” and “Once Upon a Planet”.

”I thought you’d be on your way to Crepuscula by now.” The Crepusculans were a pre-warp civilization in “The Vulcan Hello”. Georgiou and Burnham visited their world to help mitigate the effects of a drought caused by an industrial accident in nearby space.

”One, aye,” calls back to “People of Earth” where Book disguised himself as a Starfleet officer.

• The shuttle captain Leto picks Burnham up in is UFP-47.

• Book has planted the World Root cuttings on Sanctuary Four, and we see several trance worms swimming in a river.

• Starfleet HQ now has three of the station/ships in the 33rd century.

• We see DOTs working on restoring the USS Discovery to it’s original configuration before the 32nd century refit.

”I did hear a word in passing. ‘Craft.’” Zora encounters Craft in “Calypso”, according to her, almost 1,000 years after being left in a nebula.

• Despite the years that have passed, all the ships we see in attendance for the *Discovery’*s last mission are spaceframes we’re familiar with from the 32nd century.

 

Not my original content

 

Not my original content, but something I stand by

 

• This episode was directed by Johnathan Frakes, who starred in the ENT episode, “These Are the Voyages...”

• Captain Burnham informs Rayner that the Breen Primarch Tahal is going to be arriving at their location in the next episode. We learned in “Erigah” that Tahal occupied Rayner’s homeworld, Kelerun, and used it as a staging point.

• The tool Book is using to help effect repairs on the spore drive looks to be the same one he used as a weapon against Burnham in their fight when the characters first met in “That Hope Is You, Part 1”.

• The Progenitor’s technology is contained within a structure carefully balanced at the point where the gravity wells of two black holes intersect, i.e. the Lagrange point. Hey, that’s the title of the episode! Which makes sense, because the rest of the episode must surely be about figuring out how to retrieve the structure from such a precarious position without being crushed, torn apart, or spaghettified by the intense gravimetric interactions. It would be silly if, say, the Breen dreadnought was to show up and simply yoink away the structure with a tractor beam while we’re still in the cold open, and the Lagrange point did not matter for the rest of the episode.

    • The structure containing the Progenitor technology looks like a large barrel. Somewhere in Sto’vo’kor, a warrior punches a wall and doesn’t understand why.

• Moll stores L’ak’s body in a portable transport buffer. Trek has been using the transport buffer to store people since Scotty did so in “Relics”, though the other engineer aboard the USS Jenolan, Franklin, a good lad, pattern degraded too far for him to also be retrieved. Presumably no one would notice if L’ak’s pattern degraded over time.

• Adira mentions having been part of the Earth Defense Force, which is what they were doing when introduced in “People of Earth”.

• Burnham’s plan for infiltrating the Breen dreadnought is to transport through a gap in the shield coverage near an exhaust port. In “Preemptive Strike”, Ro and a team of Maquis exploited a weak point in the USS Enterprise D’s shields created by the ship’s impulse engines to steal medical supplies.

• Rayner asks Tilly to be his acting first officer while Burnham and Rhys are on the Breen ship. Saru also promoted Tilly to be his acting first officer while she was still an ensign.

• The away team plans to move around the Breen dreadnought in replicated Breen suits. In “Indiscretion”, Kira and Dukat disguised themselves in stolen Breen suits to infiltrate a work camp.

    • When Burnham activates her helmet, it forms around her head, but her braids are still visible hanging down her back before the transport. Upon arriving on the Breen ship, Burnham’s braids are no longer exposed. Later, when Burnham deactivates the helmet, her braids are already hanging down her back before it starts to dematerialize.

    • Despite being Federation technology, the fake Breen suits still have Breen script in their HUD.

• Burnham uses the term “achworm” during her bluff, something Primark Ruhn called called the Federation representatives in “Erigah” before it became apparent that T’Rina speaks the language.

• Assembled at Federation Headquarters we see:

    • Two Eisenberg-class starships

    • A Saturn-class starship

    • A Merian-class starship

    • Two Mars-class starships

    • One starship of the same class as the USS Dresselhaus

    • One 32nd century Constitution-class starship

    • One 32nd century Intrepid-class starship

• T’Rina suggests sending the USS Mitchell to intercept Tahal’s fleet. The Mitchell first appeared in “Rubicon”.

    • ”A shuttle wouldn’t be remotely capable of engaging her entire fleet.” President Rillak seems to imply that the Mitchell could conceivably be a match for a Breen fleet, which I would argue is very appropriate for a ship named for Kenneth Mitchell, who played Kol, Kol-Sha, Tenavik, and Aurellio on DIS, and voiced the Tweerk captain, one of Ransom’s Starfleet black ops buddies, and a Romulan guard on LDS before his passing.

• Burnham uses her xenoanthropology specialization to understand that joining a Breen feast day would be considered a good thing to do. Xenoanthropology was established as Burnham’s scientific focus in the series premiere, “The Vulcan Hello”.

• Burnham relates the results of her self introspection in “Labyrinths” to Book.

”Grum of osikod,” is a reference to the Kellerun epic, The Ballad of Krul. Burnham quoted the passage in which it’s mentioned to Rayner in “Mirrors”.

”Oh, holy schnoodle.” In “Choose Your Pain”, Tilly was the first person to say ”fuck” in Trek.

• Before sitting in the captain’s chair, Rayner does a one handed variation on the Picard maneuver.

 

The 2024 Eisner awards for the comics industry announced the nominees a couple days ago, and the Day of Blood tie-in issue, Shaxs' Best Day by Ryan North and Derek Charm is among the nominees for Best Single Issue/One-shot.

The colourist for the current ongoing Star Trek comic, Lee Loughridge, was also nominated for Best Colouring.

 

I wanted to see the oubliette.

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