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Logo uses joystick by liftarn
He'd need to be an asshole like watio, wario only ever does stuff for money.
I don't think we ever got anything concrete for waluigi tho, even in that tennis game.
Let him cause havock and mischief in a distant kingdom until Mario or Luigi are called for help as final bosses.
Waluigi Snap! Like Pokemon Snap! , but more of a stealth game where Waluigi creeps around taking candid photos of other characters. Bonuses I'd they successfully steal small trophies from the characters and sneak back to the white Waluigi Van undetected.
Okay, on one hand, I'm done with Nintendo and don't plan on spending a single cent on any one of their products ever again, On the other, I kind of want to play that.
It's morally required to pirate Nintendo games now so you'll get your chance to play it
Waluigi is a sex offender in my head cannon. He gives me Charlie’s uncle from it’s always sunny vibes
I admit, the Ron 'Fat Sex Offender' Jeremy mustache is not a good luck.
This feels way too plausible.
👁️👁️
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Because we didn't get the cockfighting game they promised
You mean the cardboard character that's the counterpart to another cardboard character and that only exists because Wario needed a doubles partner in Mario Tennis? Even his name is an afterthought, why would Nintendo suddenly start caring enough to give him a game?
The names make a little more sense in Japanese as a pun; warui means bad, and Luigi is spelled Ruigi in katakana. So Waruigi is bad Luigi.
Ironically, using Ruigi for Waluigi in English (as Ruin+Luigi) would sound less lazy.
https://theemptypage.wordpress.com/2013/05/20/critical-perspectives-on-waluigi/
I, We, Waluigi: a Post-Modern analysis of Waluigi by Franck Ribery
Waluigi is the ultimate example of the individual shaped by the signifier. Waluigi is a man seen only in mirror images; lost in a hall of mirrors he is a reflection of a reflection of a reflection. You start with Mario – the wholesome all Italian plumbing superman, you reflect him to create Luigi – the same thing but slightly less. You invert Mario to create Wario – Mario turned septic and libertarian – then you reflect the inversion in the reflection: you create a being who can only exist in reference to others. Waluigi is the true nowhere man, without the other characters he reflects, inverts and parodies he has no reason to exist. Waluigi’s identity only comes from what and who he isn’t – without a wider frame of reference he is nothing. He is not his own man. In a world where our identities are shaped by our warped relationships to brands and commerce we are all Waluigi.
There is apparently a sequel post now as well.
I remembered about that post while writing my comment but couldn't find it. I didn't know the sequel but both explain the problem of Waluigi as a character, Nintendo sees him as filler and he's more useful for them as such. If they start fleshing him out he'll be less useful in other contexts... Which is also a apt metaphor for why conservative societies want people to fit faceless molds
I figured you might have read it, as your comment had evoked it for me.
I really like the reading of Waluigi as a kind of perfect symbol for our post-modern times. I don't think the article goes quite far enough. Mario is already a simulacra: a stereotype that doesn't really exist, certainly not anymore and never really did. So Waluigi is the reflection of an inverse of a simulation without a base reality.
It's very relatable, as you say, an apt metaphor for how our cultures treat the common person. Maybe the right Waluigi game isn't one that fleshes him out and brings him closer to the audience. Maybe something like Krusty's Fun House or Lemmings: burning through legions of Waluigis (1up mushroom clones? robots? one person somehow split into a multitude?) to accomplish trivial goals for Wario, the stand-in for the corporate overlords?
To be fair I don’t think any of the Mario characters have much in terms of character development
Waaaaaaaahhh-Luigi!
Because Waluigi is valid.