this post was submitted on 15 Oct 2024
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[–] mindbleach@sh.itjust.works 1 points 1 month ago (1 children)

It's the cliche answer for good reason. I think I appreciated it better than most people who hate it, and I still barely finished it for class. All the clumsy symbolism and retro-futuristic sci-fi schlock was right up my alley. The premise about rich terrorists absconding with all of the fucking money... not so much. The whole third act is just Ayn Rand's vengeance fantasy about killing everyone who ever failed to agree with her hard enough. I was skimming through by that point, and still had to double-take and re-read where her derision toward "looters" included farmers.

My final paper roundly calling it a bloated screed by a mediocre author largely criticized it on its own terms and still turned vicious. John Galt is is among the worst monsters in literature because he wouldn't feel satisfied having his name carved into the face of the moon in recognition of everything solved with his infinite energy glitch. Any mere worker acting as Rand insisted they should died in the apocalypse her tradwife-cosplaying nobility deliberately caused. It is a bad story about bad people told badly by a bad person, and the worst part is that it's so fucking boring.

[–] mindbleach@sh.itjust.works 1 points 1 month ago

That said, we watched the black and white adaptation of The Fountainhead mid-semester, and it kinda works. Big surprise that the woman who hired an editor purely to check for typos had a more cogent opinion about authorship than she did about economics or human interaction. Probably helps that the movie's over in two hours. Definitely helps that Gary Cooper can get it.