Cinematography

Jumblevision is not a line I'm familiar with.

I guess still cameras weren't cutting it.

cross-posted from: https://lemmy.world/post/312675

This is my camera, we used it for B-cam on a commercial recently. I had to pull focus and zoom while rolling so I hooked up one of my Nucleus-M handles to the camera and used it like a Preston Microforce. Not the most optimal setup, but it worked for what we needed.

Gaffer Len Levine takes lighting design to another dimension for the hit sci-fi sequel.

Matthew Libatique, ASC, LPS trades stylization for simplicity in Darren Aronofsky’s poignant study of a damaged soul.

Four cinematographers help transform the frightful video game into a hit horror series.

One of my favorite films by one of my favorite DP's.

cross-posted from: https://lemmy.world/post/249015

Little messy cause I had to find places for all the sounds stuff to fit that we normally don't have to deal with, but it ended up working out pretty well.

Some photos from the article:

cross-posted from: https://lemmy.world/post/213831

A and B cam builds for a 3 day series of national commercials I worked on recently.

cross-posted from: https://lemmy.world/post/212596

My back left tire exploded on the freeway on the way to this gig and I had to get towed to the dealership then Uber to set. I was 2 hours late but made it just before they started shooting.

We used it for the big sweeping town shots with all the extras and animals walking around. Looked like a real town.

Credit: Angus Davies on YouTube

The Gaffer brought the condor down once the lightning got too close for comfort because it's basically a giant metal lightning rod.

Human for scale lol

Two Sony Venice 2's with Arri Master Anamorphics. We were tracking stuntmen doing a horse chase scene through the desert.

This is a nice edit that I like to come back to and watch from time to time, some really powerful imagery.

Credit:

Cinematographer: Luca Bigazzi

Editor: Riccardo Fusetti

cross-posted from: https://lemmy.world/post/182903

Anamorphic lenses with lots of crazy lighting and flares. Movie isn't out yet, we'll see how it turns out.

cross-posted from: https://lemmy.world/post/181982

Condensation is a bitch. These were spherical Lomos. Old Russian lenses. Luckily water didn't get inside the glass elements, so we wiped them down and let them dry and went on with our day.

cross-posted from: https://lemmy.world/post/182456

This thing is a beast! Lot of improvements, some new features that were "meh" (mainly the burnt-in noise textures, why not just do that in post with more flexibility?) The operator-side menu is a nice addition. Really wish they'd give us internal ND 0.3 already though.

I 1st AC'd a Chris Brown music video a few months later and we had the 35 as A-Cam on a technocrane with a Mini as B-Cam. That was fun, the camera is nice of course and performed well, though it took us about 25 minutes to find the only D-tap port located on the bottom of the camera.

cross-posted from: https://lemmy.world/post/182139

We had fun playing with this Cartoni Lambda 25. It lets you spin the camera around quickly and easily using a wheel and momentum. Mounts to any mitchell receiver.

cross-posted from: https://lemmy.world/post/182717

This thing is awesome. For reference (probably it's most recognizable use), that's how they did some of the shots in Kendrick's "Humble" music video. They literally control it with a look-alike Xbox 360 controller.

This was also a really easy day for me to 1st AC because the focus pulls are also programmable so I basically just did lens and filter swaps.